Lou phelps
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IASPM
IASPM 23rd international conference
7-11 July 2025
Organized by Iaspm-branche francophone d’Europe and Université Sorbonne Nouvelle
Paris, France
Call for papers
Recording played a central role in the establishment of the field of popular music research in the 1970s and 1980s: at a time when popular music studies was gaining traction as a field of study,the specific status of recording made it possible to distinguish three areas of study: popular music, art music and folk music.
Recording has also been seen as a symptom and a variable in the development of the music business. Having become a reproducible commodity, music evolved in new directions when, towards the middle of the 20th century, the record became the main medium of the music industry. At the same time, recording made music available for distribution across a broad range of media, including radio, cinema and later television and then the Internet. In the present era of the domination of streaming platforms in the consumption of popular music (known as “platformisation”), music rights and th
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Hailing from Chicago, Hiroko Yamamura has been immersed in electronic dance music since her teenage years. First as a raver, then as a DJ. After a long hiatus, she returned to the scene in a major way a few years ago, encouraged by her long-time friend Seth Troxler. An international ambassador for Chicago techno and house, she will share her musical legacy with Igloofest crowds at an “Après-ski” party at the PHI Center for the opening weekend of the festival.
PAN M 360 : I tried to find some information about you on the internet, and you are kind of mysterious. Can you tell me more about your background ?
Hiroko Yamamura : Sure. So I’ve been DJing and producing for a long time since high school. I don’t want to say exactly how old I am (laughs) but yes, I’ve been very much a raver. I used to go to parties in the late 1990’s early 2000s, grew up in Chicago. I was influenced by the scene there, I was really into comic books, video games, the futuristic aspects of techno like using hardware and computers to make music really drew me. Then I took a
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Shirley Manson
Scottish musician and actress (born 1966)
Shirley Ann MansonFRSA (born 26 August 1966) is a Scottish singer-songwriter, musician, and actress who is the lead singer of the Scottish-American rock band Garbage,[1] who have toured worldwide and sold over 17 million records as of 2017.[2] Known for her forthright style, rebellious attitude, and distinctive deep voice,[3][4][5][6][7] her accolades include nominations for two Brit Awards and seven Grammy Awards.
Manson's musical career began in her teens, when she was approached to perform backing vocals and keyboards for the band Goodbye Mr Mackenzie. She was later approached by the band's record label with the idea of launching her as a solo artist, and recorded an album with her band Angelfish. She joined Garbage in 1994, and they achieved critical and commercial success with their self-titled debut album (1995) and Version 2.0 (1998).[7] They followed this by performing and co-producing the theme song to the 19th James Bond fil
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